- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Trude Hesterberg, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert
- Studio Chorus, Thomas Stewart, Samuel Matlowsky, Jean Sanders, Burgess Meredith, Lotte Lenya, Evelyn Lear, Studio Orchestra, Scott Merrill, Jane Connell, Bob Shaver, Hiram Sherman, William Malten
- Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Lewis Ruth Band, Willy Trenk-Trebitsch, Theo Mackeben, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Erika Helmke, Florelle, Carola Neher, Erich Ponto, Lotte Lenya, Marek Weber, Studio Pianist, Studio Orchestra, Studio Chorus
- Wolfgang Grunert, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Martin Hoeppner, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Willy Trenk-Trebitsch, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Kurt Hellwig, Wolfgang Neuss, Berlin Sender Freies Orchestra
- Erika Helmke, Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
