- Wolfgang Grunert, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Trude Hesterberg, Wolfgang Neuss
- Thomas Stewart, Lotte Lenya, Evelyn Lear, Scott Merrill, Samuel Matlowsky, Jean Sanders, William Malten, Studio Orchestra, Studio Chorus, Burgess Meredith, Hiram Sherman, Bob Shaver, Jane Connell
- Theo Mackeben, Marek Weber Orchester, Studio Chorus, Gerda Madsen, Arthur Schroeder, Willy Trenk-Trebitsch, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Orchestra, Lotte Lenya, Marek Weber, Lewis Ruth Band, Carola Neher, Studio Pianist, Erika Helmke, Florelle, Erich Ponto, Bertolt Brecht, Kurt Gerron
- Berlin Sender Freies Chorus, Kurt Hellwig, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Inge Wolffberg, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Wolfgang Neuss, Berlin Sender Freies Orchestra, Wolfgang Grunert, Martin Hoeppner
- Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
