- Trude Hesterberg, Wolfgang Neuss, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch
- Samuel Matlowsky, Lotte Lenya, Evelyn Lear, Jane Connell, Burgess Meredith, Jean Sanders, Studio Orchestra, Scott Merrill, Studio Chorus, Thomas Stewart, Bob Shaver, Hiram Sherman, William Malten
- Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Gerda Madsen, Carola Neher, Arthur Schroeder, Studio Chorus, Studio Pianist, Studio Orchestra, Willy Trenk-Trebitsch, Erika Helmke, Florelle, Kurt Gerron, Marek Weber Orchester, Lotte Lenya, Marek Weber, Theo Mackeben, Erich Ponto
- Wolfgang Grunert, Martin Hoeppner, Trude Hesterberg, Kurt Hellwig, Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Inge Wolffberg, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra
- Erika Helmke, Lotte Lenya, Willy Trenk-Trebitsch, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
