- Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Chor des Sender Freies Berlin, Wolfgang Neuss
- Burgess Meredith, Scott Merrill, Lotte Lenya, Evelyn Lear, Studio Orchestra, Bob Shaver, Studio Chorus, Thomas Stewart, Samuel Matlowsky, Jean Sanders, William Malten, Hiram Sherman, Jane Connell
- Theo Mackeben, Willy Trenk-Trebitsch, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erich Ponto, Lotte Lenya, Marek Weber, Bertolt Brecht, Studio Orchestra, Erika Helmke, Florelle, Studio Chorus, Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Studio Pianist, Ruth Lewis Band, Carola Neher
- Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Kurt Hellwig, Wolfgang Neuss, Berlin Sender Freies Orchestra, Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Wolfgang Grunert
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
