- Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Wolfgang Grunert
- Samuel Matlowsky, Bob Shaver, Burgess Meredith, Jane Connell, Scott Merrill, Lotte Lenya, Evelyn Lear, Jean Sanders, Hiram Sherman, Studio Orchestra, William Malten, Studio Chorus, Thomas Stewart
- Lewis Ruth Band, Bertolt Brecht, Theo Mackeben, Kurt Gerron, Arthur Schroeder, Gerda Madsen, Lotte Lenya, Marek Weber, Willy Trenk-Trebitsch, Carola Neher, Erich Ponto, Studio Pianist, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Studio Orchestra, Studio Chorus, Marek Weber Orchester
- Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Martin Hoeppner, Wolfgang Grunert, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra, Trude Hesterberg, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Kurt Hellwig, Josef Hausmann, Paul Otto Kuster
- Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
