- Sten Frykberg, Herbert Sandberg, Ruth Moberg, Stockholm Royal Orchestra, Fritz Busch, Lamberto Gardelli, Hugo Hasslo, Stig Westerberg, Swedish Radio Symphony Orchestra, Nils Grevillius
- Birgit Nilsson, Sigurd Bjorling, Elisabeth Söderström, Stockholm Royal Orchestra, Sixten Ehrling, Hjördis Schymberg, Nils Grevillius, Herbert Sandberg, Set Svanholm, Lars-Erik Larsson, Inge-Gerd Norlin, Swedish Radio Symphony Orchestra, Tor Mann, Florence Widgren
- Stockholm Chamber Choir, Eric Ericson, Natanael Berg, Jorgen Johansson, Royal Swedish Chamber Orchestra, Carl-Johan Nordin, Ilona Maros, Giovanni Jaconelli, Howard Sprout, Royal Philharmonic Orchestra of Stockholm, Nils Grevillius, Sven-Erik Bäck, Erik Rodell, Ulf Nilsson, Kristine Scholz, Gosta Ringstrom, Per Johansson, Camerata Holmiae, Esther Bodin-Karpe, Erland von Koch, Lars-Gunnar Bodin, Mats Liljefors, Lars Almgren, Martin Krafft, Antonio Nicolini, Norrköpings Symfoniorkester, Bengt Forsberg, Stig Westerberg, Alf Andersen, Sten Frykberg, Dorothy Dorow, Arnold Östman, Lars Edlund, Semmy Stahlhammer, Swedish Radio Chorus, female section, Swedish Radio Symphony Orchestra, Hans Bergman, Eva Maros, Maros Ensemble, Kjell-Inge Stevensson, Miklós Maros, Claude Genetay, Ulrika Bjorkman, Bruce Henley, Mats Persson, Arne Domnérus, Lilian Carlsson, Ingemar Liljefors, Swedish Broadcasting Corporation Light Orchestra, Harry Sparnaay, Johan Ahnberg, Margot Rödin, Kjell Baekkelund
- Robert Merrill, Jussi Björling, Rernando Corena, William Nahr, Giorgio Tozzi, RCA Victor Symphony Orchestra, George del Monte, Sir Thomas Beecham, John Reardon, Lucine Amara, Victoria de los Ángeles, RCA Victor Chorus, Thomas Powell
Nils Grevillius
Biography
The leading Swedish conductor of his time, Nils Grevillius was also the best known, recognized by record collectors world wide as the director on a prized disc by the young Jussi Björling; he continued to work with the Swedish tenor for the duration the artist's life. Grevillius provided the orchestral direction for projects featuring other leading Swedish singers as well. Orchestral music received even greater attention from Grevillius through his nearly four decades with Stockholm's most important orchestras. After studies at the Stockholm Conservatory, Grevillius was engaged as leader of the Royal Opera Orchestra in 1911, remaining in the concertmaster's position until 1914. Wishing to become a conductor, he pursued further studies in England and Germany and was soon awarded with an appointment to the Stockholm Konsert Førening, where he served as an assistant conductor from 1914 to 1920. In 1924, he was made conductor of the Royal Orchestra, remaining with the ensemble until 1953. From 1927 to 1939, he held the title of music director with the Stockholm Royal Opera, after having previously served there as a coach. In 1931, he was honored with the title court musical director with the SRO Aside from his activities in Sweden, Grevillius undertook a select number of engagements outside his native country. He led orchestral concerts in several major European capitals and even led a season of Swedish ballet in Paris under the title Ballet Suédois in 1922. Outside Sweden, Grevillius remains most closely identified with opera, especially with the accompaniment he provided on recordings by his country's best-known singers. In addition to Björling, heroic Set Svanholm and sopranos Birgit Nilsson and Elisabeth Söderström were among those to benefit from his well-judged direction. A disc of arias by Swedish coloratura soprano Margareta Hallin offers another example of the kind of support that made Grevillius a favorite with singers: flexible, yet firm, but never rigid.