- EDITOR’S CHOICE
- 1966 · Eugene Ormandy, The Philadelphia Orchestra, John Williams
Joaquín Rodrigo
- Lluis Solé, Joan Vives, Xavier Coll, Ignacio Rodes, Ana María Martínez, Albert Ginovart, Joaquín Rodrigo
- Angelines Nistal, Odon Alonso, Maria Angeles Chamorro, Conchita Domínguez, Isabel Penagos, Antonio Campó, Orquesta de Conciertos de Madrid, Joaquín Rodrigo
- Miquel Ramón, Luis Álvarez, Enrique del Portal, María Rodríguez, Joaquín Rodrigo, María Rey-Joly, Miguel Roa, Carlos López, Lola Casariego, Florence Dumon, John Stoke, Maria Jose Suarez, Emilio Sánchez, Carmen Haro
Biography
Joaquín Rodrigo, the leading post–Civil War Spanish composer and one of the 20th century's most popular melodists, gave us the most performed guitar concerto of all time. Though he wasn’t a guitarist, his neoclassical Concierto de Aranjuez, for guitar and orchestra, remains the undisputed benchmark for all guitar concertos. Born in 1901 in Sagunto and blind from age three, Rodrigo began studying in Valencia and showed an early interest in literature and music, becoming a proficient pianist. In the late 1920s, he moved to Paris and studied with Paul Dukas at the École Normale de Musique. Years later, a conversation with guitarist Regino Sainz de la Maza would spark the Aranjuez, which premiered in 1940 in Barcelona. Rodrigo’s second guitar concerto, Fantasía para un gentilhombre (1954), was dedicated to virtuoso Andrés Segovia and harks back to Baroque music, while the Concierto madrigal (1966), for two guitars and orchestra, is based on a Renaissance theme. Rodrigo spent the rest of the century reaping accolades until his death in Madrid in 1999. His spirit lives on in his music for guitar, which has secured a firm place in the repertoire.