- Wolfgang Neuss, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Willy Trenk-Trebitsch, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra
- Samuel Matlowsky, Studio Chorus, Bob Shaver, Lotte Lenya, Evelyn Lear, Burgess Meredith, Jean Sanders, Studio Orchestra, Thomas Stewart, Scott Merrill, Jane Connell, Hiram Sherman, William Malten
- Studio Chorus, Lewis Ruth Band, Carola Neher, Studio Pianist, Studio Orchestra, Willy Trenk-Trebitsch, Erich Ponto, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Theo Mackeben, Erika Helmke, Florelle, Gerda Madsen, Bertolt Brecht, Lotte Lenya, Marek Weber, Kurt Gerron, Marek Weber Orchester, Arthur Schroeder
- Berlin Sender Freies Chorus, Gunther Arndt Orchestra, Wolfgang Neuss, Kurt Hellwig, Willy Trenk-Trebitsch, Wolfgang Grunert, Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Inge Wolffberg, Martin Hoeppner, Trude Hesterberg
- Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
