- Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Wolfgang Neuss, Wolfgang Grunert, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Burgess Meredith, Studio Orchestra, Bob Shaver, William Malten, Studio Chorus, Thomas Stewart, Hiram Sherman, Lotte Lenya, Evelyn Lear, Jean Sanders, Jane Connell, Scott Merrill, Samuel Matlowsky
- Willy Trenk-Trebitsch, Lotte Lenya, Marek Weber, Kurt Gerron, Marek Weber Orchester, Arthur Schroeder, Erich Ponto, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Theo Mackeben, Bertolt Brecht, Lewis Ruth Band, Carola Neher, Studio Pianist, Studio Orchestra, Erika Helmke, Florelle, Gerda Madsen, Studio Chorus
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Wolfgang Grunert, Martin Hoeppner, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Kurt Hellwig, Berlin Sender Freies Chorus, Inge Wolffberg, Willy Trenk-Trebitsch, Wolfgang Neuss
- Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
