- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Wolfgang Grunert, Trude Hesterberg, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra
- Jane Connell, Lotte Lenya, Evelyn Lear, Burgess Meredith, Hiram Sherman, Scott Merrill, Bob Shaver, Studio Chorus, Thomas Stewart, Samuel Matlowsky, Jean Sanders, William Malten, Studio Orchestra
- Erich Ponto, Lotte Lenya, Marek Weber, Willy Trenk-Trebitsch, Erika Helmke, Florelle, Carola Neher, Studio Pianist, Bertolt Brecht, Studio Chorus, Arthur Schroeder, Kurt Gerron, Marek Weber Orchester, Studio Orchestra, Theo Mackeben, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band
- Gunther Arndt Orchestra, Kurt Hellwig, Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Martin Hoeppner, Wolfgang Grunert, Trude Hesterberg, Wolfgang Neuss, Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Wilhelm Brückner-Rüggeberg
- Erich Ponto, Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
