- Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss, Chor des Sender Freies Berlin, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra
- Studio Orchestra, Burgess Meredith, Lotte Lenya, Evelyn Lear, Studio Chorus, William Malten, Jean Sanders, Samuel Matlowsky, Hiram Sherman, Bob Shaver, Scott Merrill, Jane Connell, Thomas Stewart
- Erich Ponto, Arthur Schroeder, Lewis Ruth Band, Carola Neher, Studio Pianist, Studio Orchestra, Lotte Lenya, Marek Weber, Studio Chorus, Theo Mackeben, Kurt Gerron, Marek Weber Orchester, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Bertolt Brecht, Gerda Madsen, Willy Trenk-Trebitsch
- Kurt Hellwig, Willy Trenk-Trebitsch, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Berlin Sender Freies Chorus, Wolfgang Grunert, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Gunther Arndt Orchestra, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Orchestra
- Erich Ponto, Lotte Lenya, Erika Helmke, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
