- Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Wolfgang Neuss, Trude Hesterberg
- Lotte Lenya, Evelyn Lear, Studio Orchestra, Studio Chorus, Thomas Stewart, Samuel Matlowsky, Jean Sanders, Burgess Meredith, Jane Connell, Hiram Sherman, Bob Shaver, Scott Merrill, William Malten
- Gerda Madsen, Carola Neher, Erich Ponto, Studio Chorus, Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Pianist, Erika Helmke, Florelle, Marek Weber Orchester, Kurt Gerron, Lewis Ruth Band, Lotte Lenya, Marek Weber, Bertolt Brecht, Studio Orchestra, Willy Trenk-Trebitsch, Theo Mackeben
- Trude Hesterberg, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Inge Wolffberg, Wolfgang Grunert, Willy Trenk-Trebitsch, Wolfgang Neuss, Berlin Sender Freies Chorus, Kurt Hellwig
- Erich Ponto, Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
