- Trude Hesterberg, Wolfgang Neuss, Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert
- Samuel Matlowsky, Bob Shaver, Burgess Meredith, Studio Chorus, Thomas Stewart, Hiram Sherman, Scott Merrill, Lotte Lenya, Evelyn Lear, Jean Sanders, Jane Connell, Studio Orchestra, William Malten
- Carola Neher, Lotte Lenya, Marek Weber, Bertolt Brecht, Erika Helmke, Florelle, Lewis Ruth Band, Arthur Schroeder, Erich Ponto, Willy Trenk-Trebitsch, Theo Mackeben, Gerda Madsen, Kurt Gerron, Marek Weber Orchester, Studio Pianist, Studio Orchestra, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Chorus
- Berlin Sender Freies Orchestra, Trude Hesterberg, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Wolfgang Grunert, Kurt Hellwig, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Inge Wolffberg, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Josef Hausmann, Paul Otto Kuster
- Lotte Lenya, Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
