- Trude Hesterberg, Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Wolfgang Neuss, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Samuel Matlowsky, Jane Connell, Studio Chorus, Thomas Stewart, Bob Shaver, Burgess Meredith, William Malten, Hiram Sherman, Lotte Lenya, Evelyn Lear, Studio Orchestra, Jean Sanders, Scott Merrill
- Erich Ponto, Lewis Ruth Band, Bertolt Brecht, Theo Mackeben, Kurt Gerron, Lotte Lenya, Marek Weber, Willy Trenk-Trebitsch, Studio Chorus, Marek Weber Orchester, Arthur Schroeder, Gerda Madsen, Erika Helmke, Florelle, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Carola Neher, Studio Orchestra, Studio Pianist
- Willy Trenk-Trebitsch, Trude Hesterberg, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Chorus, Lotte Lenya, Johanna von Koczian, Erich Schellow, Kurt Hellwig, Gunther Arndt Orchestra, Wolfgang Neuss, Inge Wolffberg, Wolfgang Grunert, Berlin Sender Freies Orchestra, Wilhelm Brückner-Rüggeberg, Martin Hoeppner
- Berliner Staatsoper Orchester, Lotte Lenya, Otto Klemperer, Bertolt Brecht
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
