- Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Wolfgang Grunert, Willy Trenk-Trebitsch, Trude Hesterberg
- Studio Chorus, Jean Sanders, Samuel Matlowsky, Studio Orchestra, Thomas Stewart, Bob Shaver, Lotte Lenya, Evelyn Lear, Scott Merrill, Burgess Meredith, Jane Connell, Hiram Sherman, William Malten
- Erich Ponto, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Kurt Gerron, Marek Weber Orchester, Gerda Madsen, Lotte Lenya, Marek Weber, Theo Mackeben, Willy Trenk-Trebitsch, Erika Helmke, Florelle, Arthur Schroeder, Lewis Ruth Band, Carola Neher, Studio Pianist, Studio Orchestra, Studio Chorus
- Martin Hoeppner, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Inge Wolffberg, Wolfgang Neuss, Gunther Arndt Orchestra, Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Kurt Hellwig, Berlin Sender Freies Orchestra, Wolfgang Grunert
- Berliner Staatsoper Orchester, Bertolt Brecht, Otto Klemperer, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
