- Arleen Auger, Júlia Hamari, Bach Ensemble, The, Helmuth Rilling, Kathrin Graf, Niklaus Tüller, Frankfurt Kantorei, Erika Schmidt-Valentin, Helen Watts, Indiana University Chamber Singers, Walter Heldwein, Stuttgart Figuralchor der Gedachtniskirche, Uta Spreckelsen, Aldo Baldin, Bach-Collegium Stuttgart, Adalbert Kraus, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Philippe Huttenlocher
- Cornelia Wulkopf, Koln Radio Choir, Günter Wand, Cologne Radio Symphony Orchestra, Bavarian Radio Chorus, Wolfram Gehring, Júlia Hamari, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Margaret Marshall, Karl Ridderbusch, Adolf Dallapozza, Kunizaku Ohashi, Werner Krenn
- Ezio Flagello, Arturo Basile, Giorgio Tozzi, RCA Italiana Opera Orchestra, Oliviero de Fabritiis, Leontyne Price, Shirley Verrett, Robert Merrill, Erich Leinsdorf, RCA Italiana Opera Chorus, Fernando Iacopucci, Francesco Molinari-Pradelli, Hartje Mueller, Carlo Bergonzi, Júlia Hamari, John Newton, Daniel Guss, Mario Sereni, Orchestra of the Rome Opera House, Reri Grist, Thomas Schippers, Robert El Hage, Laura Londi, Corinne Vozza
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
