- Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Wolfgang Neuss, Wolfgang Grunert, Chor des Sender Freies Berlin, Trude Hesterberg
- Studio Orchestra, William Malten, Bob Shaver, Jean Sanders, Studio Chorus, Thomas Stewart, Lotte Lenya, Evelyn Lear, Samuel Matlowsky, Burgess Meredith, Jane Connell, Hiram Sherman, Scott Merrill
- Studio Orchestra, Lotte Lenya, Marek Weber, Lewis Ruth Band, Studio Chorus, Theo Mackeben, Willy Trenk-Trebitsch, Kurt Gerron, Gerda Madsen, Studio Pianist, Carola Neher, Bertolt Brecht, Erika Helmke, Florelle, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Arthur Schroeder, Marek Weber Orchester, Erich Ponto
- Wolfgang Grunert, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Orchestra, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Berlin Sender Freies Chorus, Kurt Hellwig, Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Martin Hoeppner, Gunther Arndt Orchestra, Trude Hesterberg
- Erich Ponto, Lotte Lenya, Willy Trenk-Trebitsch, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
