- Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Wolfgang Neuss, Trude Hesterberg, Wolfgang Grunert, Willy Trenk-Trebitsch
- William Malten, Hiram Sherman, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Studio Orchestra, Bob Shaver, Scott Merrill, Samuel Matlowsky, Jane Connell, Jean Sanders, Burgess Meredith
- Studio Pianist, Lotte Lenya, Marek Weber, Arthur Schroeder, Erich Ponto, Willy Trenk-Trebitsch, Studio Chorus, Carola Neher, Theo Mackeben, Bertolt Brecht, Kurt Gerron, Marek Weber Orchester, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erika Helmke, Florelle, Studio Orchestra, Gerda Madsen
- Wolfgang Grunert, Berlin Sender Freies Orchestra, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Chorus, Kurt Hellwig, Martin Hoeppner, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Gunther Arndt Orchestra, Willy Trenk-Trebitsch
- Berliner Staatsoper Orchester, Otto Klemperer, Lotte Lenya, Bertolt Brecht
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
