- Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss
- Jean Sanders, William Malten, Jane Connell, Samuel Matlowsky, Burgess Meredith, Lotte Lenya, Evelyn Lear, Hiram Sherman, Studio Chorus, Thomas Stewart, Studio Orchestra, Bob Shaver, Scott Merrill
- Gerda Madsen, Carola Neher, Erich Ponto, Arthur Schroeder, Theo Mackeben, Studio Pianist, Studio Orchestra, Bertolt Brecht, Kurt Gerron, Marek Weber Orchester, Studio Chorus, Erika Helmke, Florelle, Willy Trenk-Trebitsch, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band, Lotte Lenya, Marek Weber
- Wolfgang Grunert, Kurt Hellwig, Berlin Sender Freies Orchestra, Willy Trenk-Trebitsch, Berlin Sender Freies Chorus, Trude Hesterberg, Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Wolfgang Neuss, Gunther Arndt Orchestra
- Berliner Staatsoper Orchester, Lotte Lenya, Otto Klemperer, Bertolt Brecht
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
