- Wolfgang Neuss, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Trude Hesterberg, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra
- Scott Merrill, Hiram Sherman, William Malten, Samuel Matlowsky, Bob Shaver, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Studio Orchestra, Jean Sanders, Burgess Meredith, Jane Connell
- Lewis Ruth Band, Arthur Schroeder, Carola Neher, Willy Trenk-Trebitsch, Gerda Madsen, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Studio Pianist, Lotte Lenya, Marek Weber, Erika Helmke, Florelle, Studio Orchestra, Bertolt Brecht, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erich Ponto
- Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Trude Hesterberg, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Kurt Hellwig, Wolfgang Grunert, Inge Wolffberg, Berlin Sender Freies Chorus, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra
- Berliner Staatsoper Orchester, Otto Klemperer, Lotte Lenya, Bertolt Brecht
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
