- Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss
- Bob Shaver, Scott Merrill, Samuel Matlowsky, Studio Chorus, Thomas Stewart, Hiram Sherman, Jane Connell, Lotte Lenya, Evelyn Lear, Studio Orchestra, William Malten, Jean Sanders, Burgess Meredith
- Studio Pianist, Willy Trenk-Trebitsch, Erich Ponto, Gerda Madsen, Arthur Schroeder, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Carola Neher, Theo Mackeben, Marek Weber Orchester, Kurt Gerron, Bertolt Brecht, Lotte Lenya, Marek Weber, Studio Orchestra, Studio Chorus, Erika Helmke, Florelle
- Berlin Sender Freies Chorus, Trude Hesterberg, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Wolfgang Grunert, Berlin Sender Freies Orchestra, Kurt Hellwig, Inge Wolffberg, Gunther Arndt Orchestra, Wilhelm Brückner-Rüggeberg
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
