- Chor des Sender Freies Berlin, Wolfgang Grunert, Trude Hesterberg, Wolfgang Neuss, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra
- Jean Sanders, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Bob Shaver, Burgess Meredith, Hiram Sherman, Scott Merrill, Samuel Matlowsky, Jane Connell, William Malten, Studio Orchestra
- Lewis Ruth Band, Lotte Lenya, Marek Weber, Erich Ponto, Kurt Gerron, Marek Weber Orchester, Studio Chorus, Studio Orchestra, Willy Trenk-Trebitsch, Gerda Madsen, Carola Neher, Bertolt Brecht, Studio Pianist, Erika Helmke, Florelle, Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Theo Mackeben
- Martin Hoeppner, Berlin Sender Freies Chorus, Kurt Hellwig, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Wolfgang Grunert, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Willy Trenk-Trebitsch, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra
- Lotte Lenya, Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
