- Júlia Hamari, Wolfgang Schöne, Uta Spreckelsen, Bach Ensemble, The, Gächinger Kantorei Stuttgart, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Bach-Collegium Stuttgart, Stuttgart Figuralchor der Gedachtniskirche, Kathrin Graf, Indiana University Chamber Singers, Adalbert Kraus, Arleen Auger, Helen Watts, Philippe Huttenlocher, Aldo Baldin, Erika Schmidt-Valentin, Helmuth Rilling
- Günter Wand, Karl Ridderbusch, Cologne Radio Symphony Orchestra, Bavarian Radio Chorus, Adolf Dallapozza, Júlia Hamari, Kunizaku Ohashi, Werner Krenn, Margaret Marshall, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Wolfram Gehring, Cornelia Wulkopf, Koln Radio Choir
- Shirley Verrett, Robert Merrill, Erich Leinsdorf, Orchestra of the Rome Opera House, RCA Italiana Opera Orchestra, Arturo Basile, Oliviero de Fabritiis, Leontyne Price, Giorgio Tozzi, Hartje Mueller, Carlo Bergonzi, Laura Londi, Corinne Vozza, Reri Grist, Ezio Flagello, Júlia Hamari, Daniel Guss, Mario Sereni, RCA Italiana Opera Chorus, Fernando Iacopucci, Thomas Schippers, Francesco Molinari-Pradelli, Robert El Hage, John Newton
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
