- Marjorie Biggar, Alison Hargan, Royal School of Church Music Choir, Norman Bailey, Orchestra of the Royal Opera House, Michael Langdon, Delia Wallis, Maureen Keetch, Dennis Wicks, Jon Vickers, Nan Christie, Edgar Evans, Louis Hendrikx, Donald McIntyre, Amy Shuard, Reginald Goodall, David Lennox, Royal Opera Chorus, John Dobson, Anne Pashley, Dame Kiri Te Kanawa, Anne Howells
- Richard Van Allan, Royal Opera Chorus, Stuart Burrows, Orchestra of the Royal Opera House, Agnes Baltsa, Colin Davis, Sir Thomas Allen, Dame Kiri Te Kanawa, Daniela Mazzuccato
- Stuart Burrows, Orchestra of the Royal Opera House, Richard Van Allan, Sir Thomas Allen, Colin Davis, Daniela Mazzucato, Agnes Baltsa, Chorus of the Royal Opera House, Dame Kiri Te Kanawa
- Lorin Maazel, Gianandrea Gavazzeni, Ileana Cotrubaș, The Ambrosian Singers, Dame Kiri Te Kanawa, Renata Scotto, John Pritchard, Ingvar Wixell, Orchestra of the Royal Opera House, James Levine, Paris Opera Orchestra, Philharmonia Orchestra, Plácido Domingo
Dame Kiri Te Kanawa
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Biography
The velvet voice of lyric soprano Dame Kiri Te Kanawa has enhanced music by Mozart, Strauss, Verdi and many other composers both inside and outside the opera world. Born Claire Mary Teresa Rawstron in Gisborne, New Zealand, in 1944, she was adopted into a Maori family. She studied with famed vocal trainer Dame Sister Mary Leo Niccol in Auckland, and her 1965 recording of “The Nun’s Chorus” from Johann Strauss II’s Casanova (arr. Ralph Benatzky, 1928) became New Zealand’s first gold record. The London Opera Centre accepted her as a student without an audition, and she made her stage debut as Second Lady in Mozart’s Die Zauberflöte (1791) in 1969. Her 1971 Covent Garden debut as the melancholy Countess in Le nozze di Figaro (1786) made Te Kanawa an overnight sensation. She expanded her repertoire during the ’70s, making her Metropolitan Opera debut in 1974 as the last-minute substitute for Teresa Stratas’ Desdemona in Verdi’s Otello (1887). In 1981, Te Kanawa rocketed to global fame after singing at Prince Charles and Lady Diana Spencer’s televised wedding. Now the “people's diva”, she triumphed as the Marschallin in Bernard Haitink’s 1990 Dresden recording of Der Rosenkavalier (1911), which she considered to be one of her greatest achievements. Te Kanawa retired following a 2016 concert in Australia and now devotes her time to mentoring young singers.
