- Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Trude Hesterberg
- Studio Orchestra, Samuel Matlowsky, Thomas Stewart, Bob Shaver, William Malten, Jean Sanders, Burgess Meredith, Evelyn Lear, Studio Chorus, Scott Merrill, Jane Connell, Lotte Lenya, Hiram Sherman
- Arthur Schroeder, Marek Weber Orchester, Lewis Ruth Band, Carola Neher, Studio Pianist, Studio Chorus, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Orchestra, Lotte Lenya, Marek Weber, Theo Mackeben, Erika Helmke, Florelle, Erich Ponto, Kurt Gerron, Willy Trenk-Trebitsch, Bertolt Brecht
- Gunther Arndt Orchestra, Josef Hausmann, Paul Otto Kuster, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Willy Trenk-Trebitsch, Martin Hoeppner, Kurt Hellwig, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Berlin Sender Freies Chorus, Wolfgang Neuss, Berlin Sender Freies Orchestra
- Lotte Lenya, Erika Helmke, Erich Ponto, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
