- Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Wolfgang Neuss, Wolfgang Grunert
- Hiram Sherman, Burgess Meredith, Samuel Matlowsky, Bob Shaver, Lotte Lenya, Evelyn Lear, Jean Sanders, William Malten, Studio Chorus, Thomas Stewart, Studio Orchestra, Scott Merrill, Jane Connell
- Studio Orchestra, Studio Chorus, Gerda Madsen, Carola Neher, Studio Pianist, Lotte Lenya, Marek Weber, Theo Mackeben, Willy Trenk-Trebitsch, Lewis Ruth Band, Erika Helmke, Florelle, Erich Ponto, Kurt Gerron, Marek Weber Orchester, Bertolt Brecht, Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith
- Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Kurt Hellwig, Gunther Arndt Orchestra, Inge Wolffberg, Berlin Sender Freies Orchestra, Wolfgang Grunert, Martin Hoeppner
- Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
