- Bach Ensemble, The, Adalbert Kraus, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Aldo Baldin, Kathrin Graf, Gächinger Kantorei Stuttgart, Uta Spreckelsen, Helmuth Rilling, Júlia Hamari, Philippe Huttenlocher, Wolfgang Schöne, Indiana University Chamber Singers, Stuttgart Figuralchor der Gedachtniskirche, Erika Schmidt-Valentin, Helen Watts, Bach-Collegium Stuttgart, Arleen Auger
- Júlia Hamari, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Günter Wand, Margaret Marshall, Cologne Radio Symphony Orchestra, Kunizaku Ohashi, Werner Krenn, Adolf Dallapozza, Cornelia Wulkopf, Koln Radio Choir, Karl Ridderbusch, Wolfram Gehring, Bavarian Radio Chorus
- Daniel Guss, Mario Sereni, Fernando Iacopucci, Thomas Schippers, Francesco Molinari-Pradelli, Robert El Hage, Júlia Hamari, John Newton, Oliviero de Fabritiis, Leontyne Price, RCA Italiana Opera Orchestra, Arturo Basile, Laura Londi, Corinne Vozza, Orchestra of the Rome Opera House, Reri Grist, Giorgio Tozzi, Ezio Flagello, Hartje Mueller, Carlo Bergonzi, Shirley Verrett, Robert Merrill, Erich Leinsdorf, RCA Italiana Opera Chorus
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
