- Adalbert Kraus, Niklaus Tüller, Frankfurt Kantorei, Walter Heldwein, Philippe Huttenlocher, Kathrin Graf, Indiana University Chamber Singers, Bach-Collegium Stuttgart, Arleen Auger, Bach Ensemble, The, Júlia Hamari, Aldo Baldin, Stuttgart Figuralchor der Gedachtniskirche, Helen Watts, Helmuth Rilling, Wolfgang Schöne, Erika Schmidt-Valentin, Gächinger Kantorei Stuttgart, Uta Spreckelsen
- Wolfram Gehring, Kunizaku Ohashi, Werner Krenn, Júlia Hamari, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Cologne Radio Symphony Orchestra, Koln Radio Choir, Cornelia Wulkopf, Günter Wand, Karl Ridderbusch, Margaret Marshall, Bavarian Radio Chorus, Adolf Dallapozza
- Ezio Flagello, Hartje Mueller, Carlo Bergonzi, Laura Londi, Corinne Vozza, Mario Sereni, Daniel Guss, RCA Italiana Opera Orchestra, Giorgio Tozzi, Júlia Hamari, John Newton, RCA Italiana Opera Chorus, Reri Grist, Thomas Schippers, Robert El Hage, Francesco Molinari-Pradelli, Fernando Iacopucci, Erich Leinsdorf, Shirley Verrett, Robert Merrill, Orchestra of the Rome Opera House, Arturo Basile, Oliviero de Fabritiis, Leontyne Price
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
