- The Metropolitan Opera
- Sofia National Opera Orchestra, Alexandrina Milcheva, Nicola Ghiuselev, Ivan Marinov, Nicola Nikolov, Lilyana Vassileva
- Sofia National Opera Chorus, Nicola Ghiuselev, Sofia National Orchestra, Alexandrina Milcheva, Ivan Marinov, Nicola Nikolov, Yulia Wiener-Chenisheva
- Sofia National Opera Orchestra, Alexandrina Milcheva, Liliana Vassileva, Nicola Ghiuselev, Ivan Marinov, Stefka Popangelova, Nikola Nikolov, Milen Paounov, Verter Vrachovsky, Georgi Genov, Pavel Gerdjikov, Tsvetanka Arshinkova
- Nikola Nikolov, Stefan Tsiganchev, Nicola Ghiuselev, Verter Vrachovsky, Nikolay Smochevsky, Ivan Marinov, Maria Dimchevska, Sofia National Opera Orchestra, Alexandrina Milcheva, Yulia Wiener-Chenisheva
- Rouslan Raychev, Nicola Ghiuselev, Dimitar Petkov, Plovdiv Philharmonic Orchestra, Choir Ensemble for Songs
Nicola Ghiuselev
Biography
Nicola Ghiuselev had the rich, full timbre and seemingly effortless low notes that characterize the classic Slavic bass voice. It also had a strong enough top that he could perform bass-baritone roles such as the four villains in Offenbach's The Tales of Hoffmann, and even Mozart's Don Giovanni. He first studied both painting and music at the State Conservatory in Sofia, but after deciding he had better career prospects as a singer, he concentrated on that. He made his opera debut at the Bulgarian National Opera in 1960 as Timur in Puccini's Turandot, and soon rose to starring roles with that company. In 1965, he made his Metropolitan Opera debut as Ramfis in Verdi's Aida during a company tour, followed two years later by his Covent Garden debut as Pagano in Verdi's I Lombardi.