- Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Trude Hesterberg, Wolfgang Grunert
- Lotte Lenya, Evelyn Lear, Studio Orchestra, William Malten, Scott Merrill, Hiram Sherman, Studio Chorus, Thomas Stewart, Samuel Matlowsky, Jean Sanders, Bob Shaver, Jane Connell, Burgess Meredith
- Studio Pianist, Carola Neher, Studio Chorus, Erich Ponto, Arthur Schroeder, Marek Weber Orchester, Lotte Lenya, Marek Weber, Erika Helmke, Florelle, Theo Mackeben, Gerda Madsen, Studio Orchestra, Kurt Gerron, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Willy Trenk-Trebitsch, Lewis Ruth Band
- Martin Hoeppner, Berlin Sender Freies Chorus, Kurt Hellwig, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Grunert, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra
- Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
