- Helmuth Rilling, Arleen Auger, Indiana University Chamber Singers, Kathrin Graf, Júlia Hamari, Philippe Huttenlocher, Helen Watts, Aldo Baldin, Erika Schmidt-Valentin, Gächinger Kantorei Stuttgart, Bach Ensemble, The, Stuttgart Figuralchor der Gedachtniskirche, Uta Spreckelsen, Adalbert Kraus, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Bach-Collegium Stuttgart, Wolfgang Schöne
- Margaret Marshall, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Adolf Dallapozza, Wolfram Gehring, Günter Wand, Kunizaku Ohashi, Werner Krenn, Karl Ridderbusch, Cologne Radio Symphony Orchestra, Cornelia Wulkopf, Koln Radio Choir, Bavarian Radio Chorus, Júlia Hamari
- Ezio Flagello, Hartje Mueller, Carlo Bergonzi, Daniel Guss, Mario Sereni, Fernando Iacopucci, Francesco Molinari-Pradelli, Giorgio Tozzi, RCA Italiana Opera Chorus, Oliviero de Fabritiis, Leontyne Price, Shirley Verrett, Robert Merrill, Erich Leinsdorf, Arturo Basile, John Newton, Reri Grist, Laura Londi, Corinne Vozza, RCA Italiana Opera Orchestra, Júlia Hamari, Orchestra of the Rome Opera House, Thomas Schippers, Robert El Hage
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
