- Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Chor des Sender Freies Berlin
- Bob Shaver, Studio Chorus, Thomas Stewart, Burgess Meredith, Jean Sanders, William Malten, Jane Connell, Samuel Matlowsky, Scott Merrill, Studio Orchestra, Lotte Lenya, Evelyn Lear, Hiram Sherman
- Marek Weber Orchester, Lotte Lenya, Marek Weber, Arthur Schroeder, Erich Ponto, Studio Orchestra, Studio Chorus, Kurt Gerron, Gerda Madsen, Studio Pianist, Lewis Ruth Band, Carola Neher, Bertolt Brecht, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Willy Trenk-Trebitsch, Erika Helmke, Florelle
- Willy Trenk-Trebitsch, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Gunther Arndt Orchestra, Wolfgang Grunert, Wolfgang Neuss, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Kurt Hellwig
- Lotte Lenya, Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
