- Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg, Wolfgang Neuss, Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert
- Lotte Lenya, Evelyn Lear, Jane Connell, Samuel Matlowsky, Bob Shaver, William Malten, Burgess Meredith, Studio Orchestra, Scott Merrill, Jean Sanders, Studio Chorus, Thomas Stewart, Hiram Sherman
- Arthur Schroeder, Erich Ponto, Theo Mackeben, Marek Weber Orchester, Carola Neher, Lewis Ruth Band, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Gerda Madsen, Willy Trenk-Trebitsch, Kurt Gerron, Bertolt Brecht, Studio Orchestra, Erika Helmke, Florelle, Studio Pianist, Studio Chorus
- Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Inge Wolffberg, Wolfgang Grunert, Trude Hesterberg, Kurt Hellwig, Willy Trenk-Trebitsch, Berlin Sender Freies Chorus, Wolfgang Neuss, Martin Hoeppner, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
