- Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Neuss, Chor des Sender Freies Berlin, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra
- Burgess Meredith, Hiram Sherman, Samuel Matlowsky, Studio Chorus, Thomas Stewart, Jean Sanders, Bob Shaver, Scott Merrill, Lotte Lenya, Evelyn Lear, William Malten, Jane Connell, Studio Orchestra
- Studio Chorus, Kurt Gerron, Marek Weber Orchester, Bertolt Brecht, Carola Neher, Erich Ponto, Erika Helmke, Florelle, Lotte Lenya, Marek Weber, Arthur Schroeder, Theo Mackeben, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Willy Trenk-Trebitsch, Gerda Madsen, Studio Orchestra, Studio Pianist
- Josef Hausmann, Paul Otto Kuster, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Wolfgang Grunert, Martin Hoeppner, Inge Wolffberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Wolfgang Neuss, Trude Hesterberg, Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra, Kurt Hellwig
- Erika Helmke, Lotte Lenya, Willy Trenk-Trebitsch, Erich Ponto
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
