- Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Wolfgang Grunert, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch
- Studio Chorus, Thomas Stewart, Samuel Matlowsky, Studio Orchestra, William Malten, Jane Connell, Jean Sanders, Hiram Sherman, Bob Shaver, Burgess Meredith, Lotte Lenya, Evelyn Lear, Scott Merrill
- Studio Chorus, Kurt Gerron, Marek Weber Orchester, Erich Ponto, Arthur Schroeder, Carola Neher, Lewis Ruth Band, Studio Pianist, Studio Orchestra, Gerda Madsen, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Willy Trenk-Trebitsch, Lotte Lenya, Marek Weber, Erika Helmke, Florelle, Bertolt Brecht
- Kurt Hellwig, Martin Hoeppner, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss, Wolfgang Grunert, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Inge Wolffberg, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch
- Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
