- Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss, Wolfgang Grunert
- Scott Merrill, Jean Sanders, Studio Chorus, Thomas Stewart, Samuel Matlowsky, William Malten, Bob Shaver, Burgess Meredith, Lotte Lenya, Evelyn Lear, Studio Orchestra, Hiram Sherman, Jane Connell
- Theo Mackeben, Gerda Madsen, Kurt Gerron, Studio Chorus, Arthur Schroeder, Marek Weber Orchester, Erich Ponto, Erika Helmke, Florelle, Studio Pianist, Lotte Lenya, Marek Weber, Studio Orchestra, Willy Trenk-Trebitsch, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band, Carola Neher, Bertolt Brecht
- Gunther Arndt Orchestra, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Kurt Hellwig, Wolfgang Grunert, Wolfgang Neuss, Inge Wolffberg, Berlin Sender Freies Orchestra, Willy Trenk-Trebitsch, Berlin Sender Freies Chorus, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Erika Helmke, Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
