- Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Trude Hesterberg, Wolfgang Neuss
- Lotte Lenya, William Malten, Samuel Matlowsky, Studio Chorus, Thomas Stewart, Scott Merrill, Burgess Meredith, Jane Connell, Evelyn Lear, Bob Shaver, Studio Orchestra, Jean Sanders, Hiram Sherman
- Theo Mackeben, Lewis Ruth Band, Carola Neher, Lotte Lenya, Marek Weber, Erika Helmke, Florelle, Bertolt Brecht, Studio Pianist, Studio Orchestra, Marek Weber Orchester, Kurt Gerron, Arthur Schroder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Chorus, Erich Ponto, Willy Trenk-Trebitsch, Gerda Madsen
- Berlin Sender Freies Orchestra, Inge Wolffberg, Berlin Sender Freies Chorus, Wolfgang Grunert, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wilhelm Brückner-Rüggeberg, Wolfgang Neuss, Kurt Hellwig, Willy Trenk-Trebitsch, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra
Lotte Lenya
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.