- Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Neuss, Wolfgang Grunert
- Studio Chorus, Thomas Stewart, Bob Shaver, Scott Merrill, Hiram Sherman, Burgess Meredith, Jane Connell, Lotte Lenya, Evelyn Lear, Jean Sanders, Studio Orchestra, William Malten, Samuel Matlowsky
- Theo Mackeben, Arthur Schroeder, Erich Ponto, Erika Helmke, Florelle, Studio Pianist, Studio Orchestra, Studio Chorus, Carola Neher, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Willy Trenk-Trebitsch, Gerda Madsen, Lotte Lenya, Marek Weber, Bertolt Brecht, Kurt Gerron, Marek Weber Orchester
- Inge Wolffberg, Kurt Hellwig, Wilhelm Brückner-Rüggeberg, Willy Trenk-Trebitsch, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Wolfgang Grunert, Trude Hesterberg, Martin Hoeppner, Berlin Sender Freies Orchestra
- Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
