- Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wolfgang Neuss, Wolfgang Grunert, Chor des Sender Freies Berlin
- Samuel Matlowsky, Studio Orchestra, Bob Shaver, Scott Merrill, Burgess Meredith, Studio Chorus, Thomas Stewart, Jane Connell, William Malten, Jean Sanders, Lotte Lenya, Evelyn Lear, Hiram Sherman
- Bertolt Brecht, Studio Chorus, Erich Ponto, Erika Helmke, Florelle, Lotte Lenya, Marek Weber, Gerda Madsen, Arthur Schroeder, Carola Neher, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Theo Mackeben, Studio Pianist, Studio Orchestra, Kurt Gerron, Marek Weber Orchester, Lewis Ruth Band, Willy Trenk-Trebitsch
- Willy Trenk-Trebitsch, Inge Wolffberg, Wolfgang Neuss, Wolfgang Grunert, Kurt Hellwig, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Orchestra, Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Gunther Arndt Orchestra, Berlin Sender Freies Chorus
- Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
