‎Beethoven: Fidelio, Op. 72 by Peter Coleman-Wright — Apple Music Classical

Ouvertüre

Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, Anja Kampe, Mark Elder, Thomas Blunt

4:43

Dialog "Jaquino, Jaquino!"

The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl

0:55

Arie "O wär' ich schon mit dir vereint"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra

1:28

Quartett "Mir ist so wunderbar"

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra

4:35

Dialog "Höre, Fidelio..."

Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl

0:44

Arie "Hat man nicht auch Gold beineben"

Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe, Mark Elder, Thomas Blunt, London Philharmonic Orchestra

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Thomas Blunt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Nathan Vale

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright

2:17

Marsch

Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra

2:02

Dialog "Die Depeschen"

Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Thomas Blunt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Anja Kampe, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Lisa Milne, Anja Kampe, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Anthony Cleverton, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Lisa Milne, Thomas Blunt

5:44

Dialog "Aber Marzelline"

Anja Kampe, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt

1:37

Finale "O welche Lust!"

The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Thomas Blunt

2:49

Finale "Nun sprecht, wie ging's?"

Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra

4:58

Finale "Ach! Vater, eilt!"

Nathan Vale, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, Thomas Blunt

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Anthony Cleverton, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Mark Elder, Thomas Blunt, London Philharmonic Orchestra

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt

4:19

Introduction to Act 2

Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra

3:47

Arie "Gott! Welch' Dunkel hier!"

Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt

2:11

Arie "In des Lebens Frühlingstagen"

Lisa Milne, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Anja Kampe, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Thomas Blunt, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, Lisa Milne, Thomas Blunt

3:59

Dialog "Er erwacht!"

Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Anthony Cleverton

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Anja Kampe, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale

0:57

Quartett "Er sterbe!"

Lisa Milne, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Mark Elder

3:32

Dialog "Vater Rocco!"

Nathan Vale, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe, Thomas Blunt, Lisa Milne

0:18

Dialog "Es schlägt der Rache Stunde!"

The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Anja Kampe, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Mark Elder

0:09

Duett "O namenlose Freude!"

Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Mark Elder, Anja Kampe, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt

2:55

Dialog "Gute Botschaft"

Anja Kampe, Lisa Milne, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Mark Elder

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Mark Elder, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra

2:04

Finale "Des besten königs Wink und Wille"

Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Lisa Milne, Mark Elder

4:44

Finale "Gott! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder

4:23