‎Beethoven: Fidelio, Op. 72 by Henry Waddington

Ouvertüre

London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, Lisa Milne, Henry Waddington, Nathan Vale, Mark Elder, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Andrew Kennedy, Brindley Sherratt, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Anthony Cleverton, Mark Elder, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Andrew Kennedy, Brindley Sherratt, Henry Waddington, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Anthony Cleverton, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, Mark Elder, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Lisa Milne, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Mark Elder, Torsten Kerl, Nathan Vale, Brindley Sherratt, Andrew Kennedy, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Thomas Blunt, Mark Elder, Lisa Milne, Peter Coleman-Wright, Andrew Kennedy, Henry Waddington, Brindley Sherratt, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Nathan Vale, Torsten Kerl, Thomas Blunt, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Lisa Milne, Torsten Kerl, Henry Waddington, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder, Anthony Cleverton, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Lisa Milne, Anthony Cleverton, Andrew Kennedy, Nathan Vale, Thomas Blunt, Henry Waddington, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Henry Waddington, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Nathan Vale, Mark Elder, Anja Kampe, Andrew Kennedy, The Glyndebourne Chorus

2:17

Marsch

Torsten Kerl, Mark Elder, Anthony Cleverton, Nathan Vale, Lisa Milne, Brindley Sherratt, Andrew Kennedy, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

2:02

Dialog "Die Depeschen"

Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Andrew Kennedy, Thomas Blunt, Nathan Vale, Lisa Milne, Torsten Kerl, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Lisa Milne, Torsten Kerl, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Andrew Kennedy

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Thomas Blunt, Henry Waddington, Torsten Kerl, Peter Coleman-Wright, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Torsten Kerl, Thomas Blunt, Lisa Milne, Anja Kampe, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

5:44

Dialog "Aber Marzelline"

Andrew Kennedy, Nathan Vale, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Torsten Kerl, Mark Elder, Peter Coleman-Wright

1:37

Finale "O welche Lust!"

Mark Elder, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Henry Waddington, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Henry Waddington, Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Thomas Blunt, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Lisa Milne, Nathan Vale, Torsten Kerl, Henry Waddington, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Mark Elder, Lisa Milne, Anthony Cleverton, Anja Kampe, Brindley Sherratt, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, London Philharmonic Orchestra, Andrew Kennedy

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Henry Waddington, Torsten Kerl, Nathan Vale, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Anja Kampe

4:19

Introduction to Act 2

Nathan Vale, Andrew Kennedy, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Mark Elder, Anthony Cleverton, Brindley Sherratt

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Henry Waddington, Torsten Kerl, Lisa Milne, Andrew Kennedy, Anja Kampe, Thomas Blunt, Anthony Cleverton, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra

2:11

Arie "In des Lebens Frühlingstagen"

Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Mark Elder, Andrew Kennedy, Brindley Sherratt, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Torsten Kerl, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Lisa Milne, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Thomas Blunt, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Anja Kampe, Lisa Milne, Anthony Cleverton

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Thomas Blunt, Mark Elder, Nathan Vale, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Henry Waddington, London Philharmonic Orchestra, Anthony Cleverton, Andrew Kennedy, Anja Kampe

3:59

Dialog "Er erwacht!"

Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Andrew Kennedy, Lisa Milne, Henry Waddington, Brindley Sherratt, Mark Elder, Nathan Vale, Torsten Kerl, Anthony Cleverton

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Henry Waddington, Lisa Milne, Nathan Vale, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Mark Elder

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Thomas Blunt, Andrew Kennedy, Lisa Milne, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Anthony Cleverton, Anja Kampe

0:57

Quartett "Er sterbe!"

Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne, Thomas Blunt, Mark Elder, Anthony Cleverton, Torsten Kerl, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Anja Kampe

3:32

Dialog "Vater Rocco!"

London Philharmonic Orchestra, Mark Elder, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Nathan Vale, Andrew Kennedy, Lisa Milne, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright

0:18

Dialog "Es schlägt der Rache Stunde!"

Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Nathan Vale, Thomas Blunt, Anthony Cleverton, Lisa Milne, Henry Waddington, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Mark Elder, Henry Waddington, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl

0:09

Duett "O namenlose Freude!"

Brindley Sherratt, Thomas Blunt, Lisa Milne, Andrew Kennedy, Mark Elder, Nathan Vale, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus

2:55

Dialog "Gute Botschaft"

Torsten Kerl, Nathan Vale, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Thomas Blunt, Henry Waddington

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Mark Elder, Torsten Kerl, Nathan Vale, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Brindley Sherratt, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Torsten Kerl, Henry Waddington, Nathan Vale, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, Nathan Vale, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Brindley Sherratt

Bass
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album