- Chor des Sender Freies Berlin, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch
- Jean Sanders, Burgess Meredith, Lotte Lenya, Evelyn Lear, Samuel Matlowsky, Bob Shaver, Studio Chorus, Thomas Stewart, Jane Connell, William Malten, Scott Merrill, Hiram Sherman, Studio Orchestra
- Erika Helmke, Florelle, Theo Mackeben, Carola Neher, Lotte Lenya, Marek Weber, Erich Ponto, Arthur Schroeder, Willy Trenk-Trebitsch, Studio Chorus, Lewis Ruth Band, Kurt Gerron, Marek Weber Orchester, Gerda Madsen, Bertolt Brecht, Studio Pianist, Studio Orchestra, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith
- Martin Hoeppner, Wolfgang Neuss, Kurt Hellwig, Josef Hausmann, Paul Otto Kuster, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra, Inge Wolffberg, Trude Hesterberg, Berlin Sender Freies Chorus
- Erika Helmke, Lotte Lenya, Erich Ponto, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
