- Willy Trenk-Trebitsch, Wolfgang Neuss, Chor des Sender Freies Berlin, Wolfgang Grunert, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Hiram Sherman, Burgess Meredith, Bob Shaver, Studio Orchestra, Scott Merrill, Lotte Lenya, Evelyn Lear, Jane Connell, Studio Chorus, Thomas Stewart, Jean Sanders, William Malten, Samuel Matlowsky
- Arthur Schroeder, Erich Ponto, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Willy Trenk-Trebitsch, Gerda Madsen, Carola Neher, Lewis Ruth Band, Erika Helmke, Florelle, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Lotte Lenya, Marek Weber, Studio Pianist, Studio Orchestra
- Gunther Arndt Orchestra, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Orchestra, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Kurt Hellwig, Inge Wolffberg, Wolfgang Neuss, Willy Trenk-Trebitsch, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Martin Hoeppner
- Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
