- Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra
- Samuel Matlowsky, Jane Connell, Bob Shaver, William Malten, Studio Orchestra, Burgess Meredith, Hiram Sherman, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Scott Merrill, Jean Sanders
- Studio Pianist, Erika Helmke, Florelle, Theo Mackeben, Arthur Schroeder, Lotte Lenya, Marek Weber, Lewis Ruth Band, Willy Trenk-Trebitsch, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Carola Neher, Studio Orchestra, Bertolt Brecht, Studio Chorus, Erich Ponto, Gerda Madsen, Kurt Gerron, Marek Weber Orchester
- Inge Wolffberg, Wolfgang Grunert, Gunther Arndt Orchestra, Josef Hausmann, Paul Otto Kuster, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Trude Hesterberg, Kurt Hellwig, Wolfgang Neuss
- Erich Ponto, Erika Helmke, Lotte Lenya, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
