Ouvertüre
Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Jaquino, Jaquino!"
Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Lisa Milne
Arie "O wär' ich schon mit dir vereint"
London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt
Quartett "Mir ist so wunderbar"
Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne
Dialog "Höre, Fidelio..."
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Lisa Milne, Mark Elder
Arie "Hat man nicht auch Gold beineben"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra
Dialog "Ihr habt schon recht, Meister Rocco"
Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Terzett "Nur auf der Hut, dann geht es gut"
Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Marsch
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra
Dialog "Die Depeschen"
Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra
Arie mit Chor "Ha! Welch ein Augenblick!"
Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Mark Elder
Duett "Jetzt, Alter, jetzt hat es Eile!"
Mark Elder, Brindley Sherratt, Torsten Kerl, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne
Rezitativ "Abscheulicher! Wo eilst du hin?"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Mark Elder
Arie "Komm, Hoffnung, lass den letzten Stern"
Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy
Dialog "Aber Marzelline"
Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt
Finale "O welche Lust!"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Lisa Milne
Finale "Nun sprecht, wie ging's?"
Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra
Finale "Ach! Vater, eilt!"
Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Finale "Leb' wohl, du warmes Sonnenlicht"
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Mark Elder
Introduction to Act 2
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "Gott! Welch' Dunkel hier!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy
Arie "In des Lebens Frühlingstagen"
Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Lisa Milne, Thomas Blunt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Duett "Nur hurtig fort, nur frisch gegraben"
Thomas Blunt, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl
Dialog "Er erwacht!"
Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder
Terzett "Euch werde Lohn in besser'n Welten"
Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Quartett "Er sterbe!"
Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Thomas Blunt
Dialog "Vater Rocco!"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Dialog "Es schlägt der Rache Stunde!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl
Dialog "Meine Leonore, was hast du für mich erduldet!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Duett "O namenlose Freude!"
Lisa Milne, Brindley Sherratt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Gute Botschaft"
Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra
Finale "Heil sei dem Tag, Heil sei der Stunde"
Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl
Finale "Des besten königs Wink und Wille"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Lisa Milne
Finale "Gott! Welch ein Augenblick!"
London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Torsten Kerl