- Chor des Sender Freies Berlin, Wolfgang Neuss, Trude Hesterberg, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Hiram Sherman, Burgess Meredith, Thomas Stewart, Scott Merrill, William Malten, Samuel Matlowsky, Lotte Lenya, Evelyn Lear, Studio Orchestra, Jean Sanders, Jane Connell, Bob Shaver, Studio Chorus
- Theo Mackeben, Arthur Schroeder, Lewis Ruth Band, Carola Neher, Lotte Lenya, Marek Weber, Studio Chorus, Erich Ponto, Studio Pianist, Studio Orchestra, Kurt Gerron, Marek Weber Orchester, Bertolt Brecht, Erika Helmke, Florelle, Willy Trenk-Trebitsch, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith
- Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Gunther Arndt Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Kurt Hellwig, Wilhelm Brückner-Rüggeberg, Martin Hoeppner, Wolfgang Neuss, Willy Trenk-Trebitsch, Wolfgang Grunert, Inge Wolffberg
- Lotte Lenya, Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
