- Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Wolfgang Neuss, Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra
- Studio Chorus, Studio Orchestra, William Malten, Jane Connell, Jean Sanders, Thomas Stewart, Hiram Sherman, Burgess Meredith, Scott Merrill, Bob Shaver, Lotte Lenya, Evelyn Lear, Samuel Matlowsky
- Arthur Schroeder, Erich Ponto, Lotte Lenya, Marek Weber, Gerda Madsen, Kurt Gerron, Marek Weber Orchester, Lewis Ruth Band, Carola Neher, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Theo Mackeben, Studio Chorus, Willy Trenk-Trebitsch, Studio Pianist, Studio Orchestra, Erika Helmke, Florelle
- Gunther Arndt Orchestra, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Martin Hoeppner, Kurt Hellwig, Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss, Berlin Sender Freies Orchestra, Trude Hesterberg, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wilhelm Brückner-Rüggeberg, Inge Wolffberg
- Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
