- Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Wolfgang Grunert, Trude Hesterberg, Wolfgang Neuss
- Thomas Stewart, Burgess Meredith, Studio Orchestra, Jean Sanders, Samuel Matlowsky, Bob Shaver, Jane Connell, Studio Chorus, Hiram Sherman, Lotte Lenya, Evelyn Lear, Scott Merrill, William Malten
- Theo Mackeben, Kurt Gerron, Marek Weber Orchester, Willy Trenk-Trebitsch, Erika Helmke, Florelle, Erich Ponto, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Arthur Schroeder, Lewis Ruth Band, Carola Neher, Studio Pianist, Studio Orchestra, Bertolt Brecht, Studio Chorus, Lotte Lenya, Marek Weber
- Wolfgang Grunert, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Gunther Arndt Orchestra, Martin Hoeppner, Berlin Sender Freies Orchestra, Kurt Hellwig, Inge Wolffberg, Trude Hesterberg
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
