- Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Willy Trenk-Trebitsch
- Bob Shaver, Burgess Meredith, Samuel Matlowsky, William Malten, Lotte Lenya, Evelyn Lear, Scott Merrill, Jean Sanders, Studio Chorus, Jane Connell, Studio Orchestra, Thomas Stewart, Hiram Sherman
- Kurt Gerron, Marek Weber Orchester, Erich Ponto, Willy Trenk-Trebitsch, Lewis Ruth Band, Carola Neher, Theo Mackeben, Bertolt Brecht, Arthur Schroeder, Lotte Lenya, Marek Weber, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Pianist, Studio Orchestra, Erika Helmke, Florelle, Gerda Madsen, Studio Chorus
- Martin Hoeppner, Kurt Hellwig, Wolfgang Neuss, Gunther Arndt Orchestra, Berlin Sender Freies Orchestra, Wolfgang Grunert, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster, Willy Trenk-Trebitsch, Berlin Sender Freies Chorus, Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Wilhelm Brückner-Rüggeberg
- Willy Trenk-Trebitsch, Lotte Lenya, Erich Ponto, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
