- Eugenia Ratti, Hannoversche Solistenvereinigung, Mirella Freni, Bruno Maderna, Pierre Mollet, Heinz Rehfuss, Sinfonieorchester Hannover des NDR
- David Ward, Orchestra of the Royal Opera House, David Webster, Richard Lewis, Mirella Freni, Robert Savoie, Geraint Evans, Leyla Gencer, Cesare Siepi, Georg Solti, Sena Jurinac
- Leone Magiera, Chor der Dresdner Staatsoper, Hamburg Philharmonic State Orchestra, Staatskapelle Dresden, Francesco Molinari-Pradelli
- Mirella Freni, Carlo Felice Cillario, Sesto Bruscantini, Emily Maire, The Glyndebourne Chorus, Royal Philharmonic Orchestra, Enzo Sordello, Luigi Alva
- Berlin State Opera Chorus, Hania Kovicz, Rudolf Jedlička, Hans Joachim Lukat, Lamberto Gardelli, Franco Bonisolli, Gudrun Sch"afer, Sesto Bruscantini, Mirella Freni, Peter Bindszus, Heinz Reeh, Staatskapelle Berlin
- Ino Savini, Argeo Quadri, Mirella Freni, Viktor Remsey, Wiener Volksoper Orchester, Munich Radio Orchestra, Gino dal Ferro
Mirella Freni
Biography
Ranking among modern history’s most renowned bel canto sopranos, Mirella Freni mixed nimbleness and precision with dramatic heft. She was born in 1935 in Modena, Italy, and took an interest in opera at a young age, winning a national competition at 12 with a Puccini aria. She made her stage debut in 1955—in her hometown—as Micaëla in Carmen (1875), a role to which she would return throughout her career. In 1963, Freni became the toast of the Italian opera world with her portrayal of Mimì in Franco Zeffirelli's production of La Bohème (1896) at La Scala. It remains one of the opera’s defining stagings. As her star rose internationally in the late 1960s, Freni unveiled her celebrated Juliette in Gounod’s Roméo et Juliette (1867) at the Metropolitan Opera, further illustrating her ability to communicate deep emotion while performing technically demanding lyric roles. In the 1970s and '80s, Freni pushed beyond her established comfort zone with heavier dramatic roles, most notably in Verdi operas including Otello (1887) and Aida (1871). Her expressive performances have been widely disseminated through her prolific videography, the 1974 film of Madama Butterfly (1904) with Plácido Domingo being a standout. Freni retired from performing at the age of 70 to focus on teaching, and she died in Modena in 2020.