- Minna Nyhus, Lisbeth Balslev, Sven Olof Eliasson, Aage Haugland, Francesco Cristofoli, Leif Roar, Aarhus Symphony Orchestra
- Laila Andersson, Francesco Cristofoli, Den Jyske Operas Kor, Den Jyske Opera Aarhus
- Gert Bastian, Mogens Schmidt-Johansen, Tove Hyldgaard, Danish National Radio Choir, Edith Brodersen, Christian Sorensen, Ib Hansen, Aage Haugland, Gurli Plesner, Ove Verner Hansen, Danish National Symphony Orchestra, Jorgen Klint, Tonny Landy, John Frandsen
- Uffe Henriksen, John Laursen, Susanne Resmark, Ulla Kudsk Jensen, Hanne Fischer, Annita Wadsholt, Bengt-Ola Morgny, Royal Danish Opera Chorus, Pia Hansen, Djina Mai-Mai, Gert Henning-Jensen, The Royal Danish Orchestra, Lise-Lotte Nielsen, Elsebeth Lund, Michael Schønwandt, Kari Hamnoy, Poul Elming, Aage Haugland, Morten Kramp, Anne Margrethe Dahl, Elisabeth Halling
- Tina Kiberg, Birgitte Frieboe, Christian Christiansen, Gert Mortensen, Aage Haugland, Anne Frellesvig, Danish National Radio Choir, Kim Janken, Stig Fogh Andersen, Poul Elming, Jan Latham-Koenig, Erik Harbo, Danish National Symphony Orchestra, Edith Guillaume, Minna Nyhus
Aage Haugland
Biography
Haugland was among his generation's most-noted bassos, with a voice somewhere between basso cantante and basso profondo and the power and stamina for even the most demanding Wagnerian roles. Though he specialized in Wagner, he enjoyed great success in Russian roles as well and has occasionally appeared in other German operas (most notably as Baron Ochs in Der Rosenkavalier) and Italian operas, as well as creating the role of the Commander in Ruder's The Handmaid's Tale. He began singing early with the Copenhagen Boys' Choir, though when he entered Copenhagen University, he studied medicine as well as singing. He made his opera debut at the Den Norske Opera in 1968 as Brewer in Martinu's The Comedy on the Bridge and in 1973, he first appeared at the Royal Danish Opera, beginning a long-term association with that house. In 1975, he made his debut in England at Covent Garden as Hunding in Wagner's Die Walküre. His United States debut was at the St. Louis Opera Theater as Boris Godunov in 1979. Two years later, he made his debut at La Scala as King Mark in Wagner's Tristan und Isolde and his 1983 Bayreuth Festival debut as Hagen in Die Götterdämmerung. His premature death interrupted an ever-expanding repertoire, as he continued to add roles ranging from Gianni Schicchi to King Saul in Nielsen's Saul and David to Wozzeck, as well as creating new roles such as the Commander (2000) and Jason in Liebermann's The Acquittal of Medea (1995).