- Lotte Lenya, Johanna von Koczian, Erich Schellow, Trude Hesterberg, Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Wolfgang Neuss, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra
- William Malten, Samuel Matlowsky, Burgess Meredith, Studio Orchestra, Jean Sanders, Lotte Lenya, Evelyn Lear, Studio Chorus, Thomas Stewart, Scott Merrill, Hiram Sherman, Jane Connell, Bob Shaver
- Willy Trenk-Trebitsch, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Studio Pianist, Arthur Schroeder, Theo Mackeben, Lotte Lenya, Marek Weber, Bertolt Brecht, Kurt Gerron, Studio Chorus, Marek Weber Orchester, Gerda Madsen, Carola Neher, Erika Helmke, Florelle, Studio Orchestra, Erich Ponto
- Wilhelm Brückner-Rüggeberg, Wolfgang Grunert, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Kurt Hellwig, Inge Wolffberg, Berlin Sender Freies Chorus, Berlin Sender Freies Orchestra, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Gunther Arndt Orchestra, Wolfgang Neuss, Willy Trenk-Trebitsch
- Erich Ponto, Erika Helmke, Willy Trenk-Trebitsch, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
