- Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Wolfgang Grunert, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Trude Hesterberg
- Burgess Meredith, Samuel Matlowsky, William Malten, Jane Connell, Studio Chorus, Thomas Stewart, Jean Sanders, Studio Orchestra, Bob Shaver, Scott Merrill, Lotte Lenya, Evelyn Lear, Hiram Sherman
- Theo Mackeben, Erich Ponto, Lotte Lenya, Marek Weber, Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Marek Weber Orchester, Willy Trenk-Trebitsch, Lewis Ruth Band, Carola Neher, Studio Orchestra, Studio Chorus, Kurt Gerron, Gerda Madsen, Studio Pianist, Bertolt Brecht, Erika Helmke, Florelle
- Wolfgang Grunert, Inge Wolffberg, Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra, Kurt Hellwig, Berlin Sender Freies Chorus, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Wolfgang Neuss
- Willy Trenk-Trebitsch, Lotte Lenya, Erich Ponto, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
