- Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Wolfgang Neuss, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Samuel Matlowsky, Bob Shaver, Scott Merrill, Burgess Meredith, William Malten, Jane Connell, Jean Sanders, Lotte Lenya, Evelyn Lear, Hiram Sherman, Studio Chorus, Thomas Stewart, Studio Orchestra
- Carola Neher, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Theo Mackeben, Willy Trenk-Trebitsch, Marek Weber Orchester, Erich Ponto, Arthur Schroeder, Gerda Madsen, Lewis Ruth Band, Kurt Gerron, Lotte Lenya, Marek Weber, Erika Helmke, Florelle, Bertolt Brecht, Studio Pianist, Studio Chorus, Studio Orchestra
- Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Chorus, Wolfgang Neuss, Josef Hausmann, Paul Otto Kuster, Inge Wolffberg, Kurt Hellwig, Willy Trenk-Trebitsch, Wolfgang Grunert, Martin Hoeppner, Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Gunther Arndt Orchestra, Trude Hesterberg
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
