- Trude Hesterberg, Wolfgang Grunert, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch
- Jean Sanders, Samuel Matlowsky, Lotte Lenya, Evelyn Lear, Bob Shaver, Studio Chorus, Thomas Stewart, Jane Connell, Hiram Sherman, William Malten, Scott Merrill, Studio Orchestra, Burgess Meredith
- Studio Orchestra, Erika Helmke, Florelle, Theo Mackeben, Marek Weber Orchester, Willy Trenk-Trebitsch, Erich Ponto, Studio Pianist, Studio Chorus, Gerda Madsen, Arthur Schroeder, Lotte Lenya, Marek Weber, Bertolt Brecht, Kurt Gerron, Lewis Ruth Band, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Carola Neher
- Wolfgang Grunert, Gunther Arndt Orchestra, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Wolfgang Neuss, Berlin Sender Freies Chorus, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra
- Lotte Lenya, Erich Ponto, Willy Trenk-Trebitsch, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
