- Inge Wolffberg, Sender Freies Berlin Orchestra, Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Grunert, Chor des Sender Freies Berlin, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss
- Jean Sanders, Samuel Matlowsky, Bob Shaver, Scott Merrill, Jane Connell, Studio Chorus, Thomas Stewart, Lotte Lenya, Evelyn Lear, Hiram Sherman, William Malten, Studio Orchestra, Burgess Meredith
- Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Erich Ponto, Carola Neher, Kurt Gerron, Willy Trenk-Trebitsch, Gerda Madsen, Lewis Ruth Band, Marek Weber Orchester, Lotte Lenya, Marek Weber, Studio Chorus, Bertolt Brecht, Studio Pianist, Theo Mackeben, Studio Orchestra, Erika Helmke, Florelle
- Gunther Arndt Orchestra, Martin Hoeppner, Inge Wolffberg, Berlin Sender Freies Chorus, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Willy Trenk-Trebitsch, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Berlin Sender Freies Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss
- Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
