- Júlia Hamari, Stuttgart Figuralchor der Gedachtniskirche, Bach Ensemble, The, Aldo Baldin, Erika Schmidt-Valentin, Helen Watts, Adalbert Kraus, Kathrin Graf, Bach-Collegium Stuttgart, Uta Spreckelsen, Helmuth Rilling, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Indiana University Chamber Singers, Gächinger Kantorei Stuttgart, Wolfgang Schöne, Arleen Auger, Philippe Huttenlocher
- Cornelia Wulkopf, Koln Radio Choir, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Günter Wand, Adolf Dallapozza, Kunizaku Ohashi, Werner Krenn, Margaret Marshall, Cologne Radio Symphony Orchestra, Wolfram Gehring, Karl Ridderbusch, Bavarian Radio Chorus, Júlia Hamari
- Reri Grist, Oliviero de Fabritiis, Leontyne Price, John Newton, Arturo Basile, Júlia Hamari, Daniel Guss, Mario Sereni, Orchestra of the Rome Opera House, Shirley Verrett, Robert Merrill, Erich Leinsdorf, RCA Italiana Opera Orchestra, Ezio Flagello, RCA Italiana Opera Chorus, Fernando Iacopucci, Thomas Schippers, Francesco Molinari-Pradelli, Robert El Hage, Laura Londi, Corinne Vozza, Giorgio Tozzi, Hartje Mueller, Carlo Bergonzi
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
