- Trude Hesterberg, Willy Trenk-Trebitsch, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert
- Studio Orchestra, Bob Shaver, Samuel Matlowsky, William Malten, Burgess Meredith, Lotte Lenya, Evelyn Lear, Jean Sanders, Studio Chorus, Thomas Stewart, Scott Merrill, Jane Connell, Hiram Sherman
- Arthur Schroeder, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Carola Neher, Studio Chorus, Studio Pianist, Gerda Madsen, Erika Helmke, Florelle, Erich Ponto, Theo Mackeben, Willy Trenk-Trebitsch, Studio Orchestra, Kurt Gerron, Lotte Lenya, Marek Weber, Marek Weber Orchester, Lewis Ruth Band, Bertolt Brecht
- Wolfgang Grunert, Trude Hesterberg, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Inge Wolffberg, Gunther Arndt Orchestra, Willy Trenk-Trebitsch, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Chorus, Josef Hausmann, Paul Otto Kuster, Kurt Hellwig, Berlin Sender Freies Orchestra
- Willy Trenk-Trebitsch, Erika Helmke, Erich Ponto, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
