- Chor des Sender Freies Berlin, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Grunert, Trude Hesterberg, Willy Trenk-Trebitsch
- Samuel Matlowsky, Burgess Meredith, William Malten, Scott Merrill, Jean Sanders, Jane Connell, Bob Shaver, Studio Chorus, Thomas Stewart, Lotte Lenya, Evelyn Lear, Hiram Sherman, Studio Orchestra
- Kurt Gerron, Marek Weber Orchester, Carola Neher, Studio Chorus, Bertolt Brecht, Erich Ponto, Lewis Ruth Band, Erika Helmke, Florelle, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Arthur Schroeder, Willy Trenk-Trebitsch, Lotte Lenya, Marek Weber, Studio Pianist, Studio Orchestra, Gerda Madsen, Theo Mackeben
- Willy Trenk-Trebitsch, Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Martin Hoeppner, Gunther Arndt Orchestra, Wilhelm Brückner-Rüggeberg, Kurt Hellwig, Trude Hesterberg, Wolfgang Neuss, Berlin Sender Freies Orchestra, Berlin Sender Freies Chorus, Inge Wolffberg, Wolfgang Grunert
- Bertolt Brecht, Lotte Lenya, Otto Klemperer, Berliner Staatsoper Orchester
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
