- Uta Spreckelsen, Helmuth Rilling, Helen Watts, Adalbert Kraus, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Aldo Baldin, Bach-Collegium Stuttgart, Walter Heldwein, Niklaus Tüller, Frankfurt Kantorei, Erika Schmidt-Valentin, Júlia Hamari, Indiana University Chamber Singers, Stuttgart Figuralchor der Gedachtniskirche, Bach Ensemble, The, Kathrin Graf, Arleen Auger, Philippe Huttenlocher
- Bavarian Radio Chorus, Cologne Radio Symphony Orchestra, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Margaret Marshall, Kunizaku Ohashi, Werner Krenn, Cornelia Wulkopf, Koln Radio Choir, Karl Ridderbusch, Júlia Hamari, Wolfram Gehring, Günter Wand, Adolf Dallapozza
- Daniel Guss, Mario Sereni, RCA Italiana Opera Chorus, Laura Londi, Corinne Vozza, Shirley Verrett, Robert Merrill, Erich Leinsdorf, Fernando Iacopucci, Thomas Schippers, Francesco Molinari-Pradelli, Robert El Hage, Hartje Mueller, Carlo Bergonzi, Arturo Basile, Orchestra of the Rome Opera House, John Newton, Júlia Hamari, Reri Grist, Giorgio Tozzi, Ezio Flagello, RCA Italiana Opera Orchestra, Oliviero de Fabritiis, Leontyne Price
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
