- Júlia Hamari, Philippe Huttenlocher, Indiana University Chamber Singers, Walter Heldwein, Kathrin Graf, Bach Ensemble, The, Bach-Collegium Stuttgart, Arleen Auger, Niklaus Tüller, Frankfurt Kantorei, Gächinger Kantorei Stuttgart, Stuttgart Figuralchor der Gedachtniskirche, Uta Spreckelsen, Aldo Baldin, Helen Watts, Erika Schmidt-Valentin, Wolfgang Schöne, Adalbert Kraus, Helmuth Rilling
- Kunizaku Ohashi, Werner Krenn, Margaret Marshall, Brigitte Durrler, Bavarian Radio Symphony Orchestra, Wolfram Gehring, Bavarian Radio Chorus, Günter Wand, Cologne Radio Symphony Orchestra, Júlia Hamari, Karl Ridderbusch, Adolf Dallapozza, Cornelia Wulkopf, Koln Radio Choir
- RCA Italiana Opera Chorus, John Newton, Hartje Mueller, Carlo Bergonzi, Júlia Hamari, RCA Italiana Opera Orchestra, Reri Grist, Oliviero de Fabritiis, Leontyne Price, Giorgio Tozzi, Ezio Flagello, Daniel Guss, Mario Sereni, Fernando Iacopucci, Francesco Molinari-Pradelli, Laura Londi, Corinne Vozza, Thomas Schippers, Robert El Hage, Orchestra of the Rome Opera House, Arturo Basile, Shirley Verrett, Robert Merrill, Erich Leinsdorf
Júlia Hamari
Biography
Julia Hamari is one of the leading oratorio and Lieder performers of her generation, known for her musicality and rich, full tone. She is particularly admired for her Bach performances and has taken the alto part in almost 30 of Rilling's recordings of the complete Bach cantata. She first studied voice with Fatime Martins and Jeno Sipos, continuing her studies at the Budapest Academy of Music. In 1954, she won the Erkel competition and studied for several years at the Stuttgart Hochschule für Musik. Her concert debut was in 1966 as the alto soloist in Bach's St. Matthew Passion in a Vienna performance. That launched her concert and Lieder career, which has taken place largely in Europe, though she made her United States debut in 1967 with the Chicago Symphony Orchestra. She also made her opera debut the same year as Mercedes in Bizet's Carmen and since then has appeared, primarily with the Deutsche Oper am Rhein, in various Baroque and Classical operas. In 1989, she returned to Stuttgart as a professor.
