- Willy Trenk-Trebitsch, Trude Hesterberg, Wolfgang Neuss, Wolfgang Grunert, Chor des Sender Freies Berlin, Inge Wolffberg, Sender Freies Berlin Orchestra, Lotte Lenya, Johanna von Koczian, Erich Schellow
- Jane Connell, Lotte Lenya, Evelyn Lear, Samuel Matlowsky, Bob Shaver, Scott Merrill, Burgess Meredith, Studio Chorus, Thomas Stewart, William Malten, Jean Sanders, Studio Orchestra, Hiram Sherman
- Carola Neher, Studio Chorus, Studio Pianist, Willy Trenk-Trebitsch, Theo Mackeben, Studio Orchestra, Erich Ponto, Kurt Gerron, Erika Helmke, Florelle, Lotte Lenya, Marek Weber, Gerda Madsen, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lewis Ruth Band, Marek Weber Orchester, Arthur Schroeder, Bertolt Brecht
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Josef Hausmann, Paul Otto Kuster, Wolfgang Neuss, Trude Hesterberg, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch, Kurt Hellwig, Gunther Arndt Orchestra, Martin Hoeppner, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg, Berlin Sender Freies Orchestra, Inge Wolffberg
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
