- Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Neuss, Sender Freies Berlin Orchestra, Inge Wolffberg, Trude Hesterberg, Chor des Sender Freies Berlin, Willy Trenk-Trebitsch
- William Malten, Lotte Lenya, Evelyn Lear, Samuel Matlowsky, Bob Shaver, Jane Connell, Studio Orchestra, Studio Chorus, Thomas Stewart, Scott Merrill, Burgess Meredith, Jean Sanders, Hiram Sherman
- Florelle, Erika Helmke, Erich Ponto, Gerda Madsen, Arthur Schroeder, Willy Trenk-Trebitsch, Lea Deganith, Jean Lenoir Orchestra, Dreigroschen Band, Lewis Ruth Band, Marek Weber Orchester, Bertolt Brecht, Lotte Lenya, Marek Weber, Studio Chorus, Studio Pianist, Carola Neher, Theo Mackeben, Kurt Gerron, Studio Orchestra
- Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Wolfgang Neuss, Wolfgang Grunert, Gunther Arndt Orchestra, Paul Otto Kuster, Josef Hausmann, Inge Wolffberg, Berlin Sender Freies Chorus, Kurt Hellwig, Martin Hoeppner, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Berlin Sender Freies Orchestra
- Willy Trenk-Trebitsch, Erich Ponto, Erika Helmke, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
