- Lotte Lenya, Johanna von Koczian, Erich Schellow, Chor des Sender Freies Berlin, Wolfgang Neuss, Wolfgang Grunert, Willy Trenk-Trebitsch, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg
- Burgess Meredith, Lotte Lenya, Evelyn Lear, Jean Sanders, Jane Connell, Scott Merrill, William Malten, Samuel Matlowsky, Bob Shaver, Studio Chorus, Thomas Stewart, Hiram Sherman, Studio Orchestra
- Gerda Madsen, Theo Mackeben, Studio Pianist, Erich Ponto, Carola Neher, Marek Weber Orchester, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Lotte Lenya, Marek Weber, Erika Helmke, Florelle, Willy Trenk-Trebitsch, Studio Orchestra, Lewis Ruth Band, Kurt Gerron, Studio Chorus, Bertolt Brecht, Arthur Schroeder
- Wilhelm Brückner-Rüggeberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Gunther Arndt Orchestra, Wolfgang Neuss, Kurt Hellwig, Martin Hoeppner, Trude Hesterberg, Josef Hausmann, Paul Otto Kuster, Berlin Sender Freies Chorus, Wolfgang Grunert, Willy Trenk-Trebitsch, Berlin Sender Freies Orchestra
- Erika Helmke, Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
