- Chor des Sender Freies Berlin, Wolfgang Grunert, Lotte Lenya, Johanna von Koczian, Erich Schellow, Inge Wolffberg, Sender Freies Berlin Orchestra, Wolfgang Neuss, Trude Hesterberg, Willy Trenk-Trebitsch
- Studio Orchestra, Samuel Matlowsky, Thomas Stewart, William Malten, Bob Shaver, Studio Chorus, Jane Connell, Jean Sanders, Burgess Meredith, Hiram Sherman, Lotte Lenya, Evelyn Lear, Scott Merrill
- Studio Pianist, Studio Orchestra, Willy Trenk-Trebitsch, Lewis Ruth Band, Carola Neher, Bertolt Brecht, Erich Ponto, Erika Helmke, Florelle, Gerda Madsen, Studio Chorus, Kurt Gerron, Marek Weber Orchester, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Arthur Schroeder, Lotte Lenya, Marek Weber
- Berlin Sender Freies Orchestra, Wilhelm Brückner-Rüggeberg, Josef Hausmann, Paul Otto Kuster, Trude Hesterberg, Kurt Hellwig, Wolfgang Neuss, Martin Hoeppner, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert, Inge Wolffberg, Gunther Arndt Orchestra, Berlin Sender Freies Chorus, Willy Trenk-Trebitsch
- Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
