- Lotte Lenya, Johanna von Koczian, Erich Schellow, Willy Trenk-Trebitsch, Chor des Sender Freies Berlin, Wolfgang Grunert, Wolfgang Neuss, Inge Wolffberg, Sender Freies Berlin Orchestra, Trude Hesterberg
- Samuel Matlowsky, Burgess Meredith, Studio Chorus, Thomas Stewart, Jean Sanders, Lotte Lenya, Evelyn Lear, Hiram Sherman, Studio Orchestra, Bob Shaver, William Malten, Jane Connell, Scott Merrill
- Arthur Schroeder, Carola Neher, Willy Trenk-Trebitsch, Gerda Madsen, Studio Pianist, Studio Orchestra, Lotte Lenya, Marek Weber, Studio Chorus, Theo Mackeben, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Kurt Gerron, Marek Weber Orchester, Lewis Ruth Band, Bertolt Brecht, Erika Helmke, Florelle, Erich Ponto
- Josef Hausmann, Paul Otto Kuster, Gunther Arndt Orchestra, Berlin Sender Freies Chorus, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg, Trude Hesterberg, Wolfgang Grunert, Inge Wolffberg, Martin Hoeppner, Kurt Hellwig, Lotte Lenya, Johanna von Koczian, Erich Schellow, Berlin Sender Freies Orchestra, Willy Trenk-Trebitsch
- Willy Trenk-Trebitsch, Erich Ponto, Lotte Lenya, Erika Helmke
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
