- Hans-Martin Linde, Knabenkantorei Basel, Chiaroscuro, Instrumentalensemble der Schola Cantorum Basiliensis
- Collegium Aureum, Württembergisches Kammerorchester, Rolf Reinhardt, Jörg Faerber, Ernst Wallfisch, Hans-Martin Linde
Hans-Martin Linde
Live Albums
Compilations
- Lehel Rónai, Budapest Strings, Laszlo Parkanyi, Helmut Hucke, Reinhold Friedrich, Zoltán Varga, Lajos Lencsés, Hans-Martin Linde, Günther Höller, Aladar Tuske, Alain De Rudder, Cappella Coloniensis
- Dresden Baroque Soloists, Walter Heinz Bernstein, Encarnación Vázquez, Roland Munch, Lourdes Ambriz, Hans-Martin Linde, Rundfunk-Sinfonieorchester Berlin, Eberhard Palm, Hartmut Haenchen, Dorothea Wirtz, Cantica Nova Chamber Choir, Konrad Hünteler, Berliner Barock-Compagney, Cappella Coloniensis, Caspar Richter, Carl Philipp Emanuel Bach Chamber Orchestra, Christine Schornsheim, Ulf Bjorlin, Johannes Goritzki, German Chamber Academy Neuss, Eckart Haupt
- Zoltán Rácz, Hiro Kurosaki, Helmut Hucke, Hans-Martin Linde, Wolfgang Neininger, Cappella Coloniensis, Gabriele Ferro, Maria Luisa Tanzini, Andreas Gilly
- Maria Luisa Tanzini, Hans Deinzer, Georg Fischer, Hans-Martin Linde, Dame Emma Kirkby, Ulf Bjorlin, Ingrid Seifert, Sophie Boulin, Malcolm Frager, Nicholas Kraemer, Cappella Coloniensis, Gabriele Ferro, Linda Nicholson, Cologne Radio Chorus, Jann Engel, Ferdinand Leitner, Ann Murray
- Konrad Hünteler, Günther Höller, Christoph Huntgeburth, Georg Fischer, Hans-Martin Linde, Cappella Coloniensis
- Hans-Martin Linde, Heinz Hofer, Hans Rudolf Stalder, Cappella Coloniensis, Elmar Schmid
- Eckart Haupt, Hans-Peter Kirchberg, Cologne Radio Symphony Orchestra, Rundfunkchor Berlin, Hartmut Haenchen, Dresden Baroque Soloists, Hans Vonk, Ann Monoyios, Hans-Martin Linde, Stefan Soltesz, Konrad Hünteler, Carl Philipp Emanuel Bach Chamber Orchestra, Christine Schornsheim, Ulf Bjorlin, Berliner Barock-Compagney, Cappella Coloniensis, Carl Maria von Weber Men's Choir, Berlin, Sebastian Weigle
- Helmut Hucke, New Bach Collegium Musicum Leipzig, Hans-Martin Linde, Budapest Strings, Ludwig Güttler, Lehel Rónai, Zoltán Varga, Lajos Lencsés, Cappella Coloniensis, Laszlo Parkanyi, Reinhold Friedrich, Max Pommer, Günther Höller, Aladar Tuske, Kurt Sandau, Alain De Rudder
- Robert Torday, Ann Monoyios, Hans-Martin Linde, Vienna Boys' Choir, Arleen Auger, Academy of London, Carl Philipp Emanuel Bach Chamber Orchestra, Handel Festival Orchestra, Axel Köhler, Jochen Kowalski, Max Pommer, Peter Marschik, Howard Arman, New Bach Collegium Musicum Leipzig, Leipzig University Choir, Berliner Barock-Compagney, Cappella Coloniensis, Venceslava Hruba-Freiburger, Dame Emma Kirkby, Hartmut Haenchen, Charles Humphries, Max Emanuel Cenčić
Biography
German musician Hans-Martin Linde has established impressive credentials in so many fields of endeavor that it is difficult to give him a primary classification. Some biographers will call him a flutist and recorder player first, then a conductor. He began his career as a flutist, but eventually turned to conducting, without, however, abandoning the flute or recorder. He has also performed in concert as a baritone singer; has drawn notice as a composer, particularly for his 1993 Concerto for recorder and strings; and has authored several authoritative books on flute and recorder performance. Linde has appeared as conductor on the larger part of his recordings, often leading the ensemble he founded, the Linde Consort. He favors Baroque and early music in general in his repertory choices, hardly a surprise considering his fondness for the recorder, transverse flute, and other early instruments. Linde has made numerous recordings, many available on EMI, Virgin, Sony Classical, Vanguard, Capriccio, and other labels. Hans-Martin Linde was born in Werne, Germany, on May 24, 1930. From 1947 to 1951 he studied music in Freiburg at the Staatliche Hochschule für Musik, where his principal teachers were Gustav Scheck (flute) and Konrad Lechner (conducting). After graduation, Linde taught flute and freelanced as a choral conductor for several years. He began working for the Cologne-based West German Radio in 1955, serving as flutist in the Cappella Coloniensis and appearing on several recordings. In 1957 he accepted the post as flutist with the Schola Cantorum Basiliensis in Basel, where he relocated. In 1971 he began serving as co-conductor of this ensemble. Linde taught music for three years (1976-1979) at the Musik Akadamie der Stadt Basel, while remaining active as a conductor and flutist. By the early '80s Linde and the Linde Consort regularly appeared on recordings, particularly in the J.S. Bach cantatas for EMI. He also began conducting Baroque operas: his 1989 reading of Vivaldi's Griselda in Ludwigshafen was a great success. Throughout the 1990s and into the new century Linde remained active both on the concert stage and in the recording studio. Among his more recent recordings is the 2006 CD entitled Music for Recorder from Renaissance & Baroque, issued by Deutsche Harmonia Mundi (distributed by Sony Classical). Among Linde's better known books on flute playing is the Handbuch des Blockflötenspiels, originally published in 1962 in German and in English in 1981.
