- Francesco Cristofoli, Minna Nyhus, Lisbeth Balslev, Sven Olof Eliasson, Aage Haugland, Aarhus Symphony Orchestra, Leif Roar
- Den Jyske Opera Aarhus, Laila Andersson, Francesco Cristofoli, Den Jyske Operas Kor
- Gurli Plesner, Gert Bastian, Edith Brodersen, Aage Haugland, Mogens Schmidt-Johansen, Tonny Landy, John Frandsen, Danish National Symphony Orchestra, Ove Verner Hansen, Christian Sorensen, Jorgen Klint, Tove Hyldgaard, Danish National Radio Choir, Ib Hansen
- Susanne Resmark, Hanne Fischer, Aage Haugland, Uffe Henriksen, Pia Hansen, Royal Danish Opera Chorus, Elsebeth Lund, Poul Elming, Elisabeth Halling, Annita Wadsholt, Michael Schønwandt, Kari Hamnoy, Ulla Kudsk Jensen, Bengt-Ola Morgny, Djina Mai-Mai, Gert Henning-Jensen, Anne Margrethe Dahl, Lise-Lotte Nielsen, Morten Kramp, John Laursen, The Royal Danish Orchestra
- Jan Latham-Koenig, Birgitte Frieboe, Kim Janken, Christian Christiansen, Edith Guillaume, Minna Nyhus, Aage Haugland, Anne Frellesvig, Tina Kiberg, Stig Fogh Andersen, Poul Elming, Gert Mortensen, Erik Harbo, Danish National Radio Choir, Danish National Symphony Orchestra
Aage Haugland
Biography
Haugland was among his generation's most-noted bassos, with a voice somewhere between basso cantante and basso profondo and the power and stamina for even the most demanding Wagnerian roles. Though he specialized in Wagner, he enjoyed great success in Russian roles as well and has occasionally appeared in other German operas (most notably as Baron Ochs in Der Rosenkavalier) and Italian operas, as well as creating the role of the Commander in Ruder's The Handmaid's Tale. He began singing early with the Copenhagen Boys' Choir, though when he entered Copenhagen University, he studied medicine as well as singing. He made his opera debut at the Den Norske Opera in 1968 as Brewer in Martinu's The Comedy on the Bridge and in 1973, he first appeared at the Royal Danish Opera, beginning a long-term association with that house. In 1975, he made his debut in England at Covent Garden as Hunding in Wagner's Die Walküre. His United States debut was at the St. Louis Opera Theater as Boris Godunov in 1979. Two years later, he made his debut at La Scala as King Mark in Wagner's Tristan und Isolde and his 1983 Bayreuth Festival debut as Hagen in Die Götterdämmerung. His premature death interrupted an ever-expanding repertoire, as he continued to add roles ranging from Gianni Schicchi to King Saul in Nielsen's Saul and David to Wozzeck, as well as creating new roles such as the Commander (2000) and Jason in Liebermann's The Acquittal of Medea (1995).