- Willy Trenk-Trebitsch, Trude Hesterberg, Inge Wolffberg, Sender Freies Berlin Orchestra, Chor des Sender Freies Berlin, Wolfgang Neuss, Lotte Lenya, Johanna von Koczian, Erich Schellow, Wolfgang Grunert
- Samuel Matlowsky, Bob Shaver, William Malten, Jane Connell, Studio Chorus, Thomas Stewart, Scott Merrill, Jean Sanders, Lotte Lenya, Evelyn Lear, Studio Orchestra, Burgess Meredith, Hiram Sherman
- Arthur Schroeder, Erich Ponto, Erika Helmke, Florelle, Studio Chorus, Gerda Madsen, Kurt Gerron, Marek Weber Orchester, Theo Mackeben, Carola Neher, Willy Trenk-Trebitsch, Jean Lenoir Orchestra, Dreigroschen Band, Lea Deganith, Bertolt Brecht, Lewis Ruth Band, Lotte Lenya, Marek Weber, Studio Pianist, Studio Orchestra
- Berlin Sender Freies Chorus, Kurt Hellwig, Josef Hausmann, Paul Otto Kuster, Wilhelm Brückner-Rüggeberg, Lotte Lenya, Johanna von Koczian, Erich Schellow, Martin Hoeppner, Berlin Sender Freies Orchestra, Willy Trenk-Trebitsch, Trude Hesterberg, Gunther Arndt Orchestra, Inge Wolffberg, Wolfgang Grunert, Wolfgang Neuss
- Erika Helmke, Erich Ponto, Willy Trenk-Trebitsch, Lotte Lenya
Lotte Lenya
Compilations
Biography
Known for her definitive interpretations of her husband Kurt Weill's songs, the singer and actress Lotte Lenya enjoyed a late-career resurgence after performing in the 1956 Off-Broadway debut of THE THREEPENNY OPERA as well as the original 1966 Broadway production of CABARET. Appearing in the premieres of all the major Brecht-Weill collaborations, including DIE DREIGROSCHENOPER (THREEPENNY OPERA), RISE AND FALL OF THE CITY OF MAHAGONNY, and SEVEN DEADLY SINS. Lenya later participated in the definitive Columbia Masterworks recordings of these scores in the mid-'50s. Her 1955 Masterworks LP SINGS BERLIN THEATRE SONGS OF KURT WEILL is still considered the benchmark by which all subsequent interpretations of Weill are measured.
